Tuna Fight Club for The New York Times // by sophie green

Too Many People Talked About Tuna Fight Club - in collaboration with journalist Amelia Nierenberg for The New York Times.

What began as a word-of-mouth bacchanal for West London insiders has evolved into an influencer magnet. Tuna Fight Club—a visceral, theatrical dining experience inside Supermarket of Dreams in Notting Hill—was once one of the city’s most elusive reservations.

Held every Wednesday night, the event seats 40 guests around a communal table. But this is no ordinary dinner—it unfolds like performance art. The first act begins when host Chris D’Sylva leads diners outside, drinks in hand, to a waiting van. Inside lies the evening’s guest of honour: an enormous tuna, nestled in an icy coffin, awaiting its dramatic butchering.

Back inside, the carcass is laid out on a stainless steel slab, where chefs carve it throughout the evening—side by side with diners—wielding an array of knives to break down the body. The process is as much a butchery as it is a spectacle, equal parts education and theatre, culminating in sashimi and nigiri served almost straight from blade to plate.

Once cloaked in secrecy, the dinner has since surfaced on TikTok and Instagram, its once-clandestine energy now shared widely. “It’s all theatre,” one guest remarked. “The whole thing is a show.” You can read the article here.

The Bingo for Süddeutsche Zeitung Magazine // by sophie green

I documented several London-based Bingo groups for the Togetherness issue of Süddeutsche Zeitung Magazine. I’ve long been drawn to the social rituals that bind people together, and bingo halls are one such space where this plays out in especially touching ways. Beyond the game itself, bingo fosters a unique culture of camaraderie—where regulars form enduring friendships, routines become acts of care, and laughter and conversation fill the quiet spaces between numbers.

People pass the time with gentle rituals—painting their nails, leafing through newspapers, or simply soaking in the warmth and comfort the hall provides, especially as energy costs rise. As one regular told me: “It’s a good social day out. You can have a meal and a drink… Even if I don’t win, it’s still a good day out. And if you win, it’s a bonus.”

Three generations often sit side by side at tables, as family-run teams keep the halls buzzing with warmth and tradition. Lucky charms and trinkets dot the tables—tiny talismans brought along in hope, habit, or superstition—each one part of the theatre of play and shared community.

It’s not just about winning; it’s about gathering. These venues often serve as vital social lifelines, especially for older generations, offering both companionship and continuity. In a world where loneliness and disconnection are increasingly common, the community found within bingo halls reveals how seemingly ordinary spaces can become anchors of support, joy, and shared experience.

BELMOND COMMISSION // by sophie green

For the past forty years, Chef Raymond Blanc OBE has been serving dishes plated like paintings at Le Manoir aux Quat’Saisons – while also amassing a collection of artistic commissions for the hotel. Inspired by the stories that make this hotel feel like home, I was commissioned by Belmond to photograph Le Manoir’s most prized artistic pieces.

UBER EATS CAMPAIGN // by sophie green

This OOH campaign for Uber Eats revolves around a simple, engaging idea: People are busier than ever, juggling too much and feeling overworked. We all deserve a reward for our hard work—sometimes, that’s just a moment of downtime, or ‘me time’. Escape the chaos of everyday life, take a pause, and recharge. Uber Eats offers you that chance to refuel both body and mind.

Through authentic snapshots of British life, the campaign captures that moment of calm after the storm—the ‘lull’ where our everyday heroes savour the break, with Uber Eats taking one task off their plate.

Nychair X Project // by sophie green

This project involves the creation of a publication for the Japanese furniture brand NyChairX, capturing the essence of Icelandic artist Gudrun Kristjánsdóttir through her work, which draws inspiration from the diverse landscapes and textures of Icelandic nature. Her art is deeply intertwined with her living space—a converted, abandoned farm building that serves as both her home and a unique artist's studio, offering stunning views of the Breiðafjörður Nature Reserve.

Rimowa New Horizons Campaign // by sophie green

From Ferry to Fork: A journey through the rugged beauty and rich heritage of Scotland’s Isle of Mull, showcasing its exceptional culinary traditions. This island, with its bountiful landscapes and vibrant local ingredients, is renowned for its variety of seafood, which thrives along its 300-mile coastline.

Its charm is embodied in the sight of native shaggy-haired Highland cows grazing against dramatic skies, pristine bays and the dedicated locals who pour their hearts into crafting meals that tell the stories of the land, its biodiversity, and the close-knit community that sustains it.

POLLY BENNETT FOR Suddeutsche Zeitung Magazine // by sophie green

I photographed movement director and choreographer Polly Bennett at her home in London for Suddeutsche Zeitung Magazine.

Bangers & Smash // by sophie green

New images for my project ‘Bangers & Smash’ - my 10 year work in progress that documents Britains Banger racing subculture.

SELF SERVICE MAGAZINE // by sophie green

Tans, tides and tenderness, the beach as a stage for intimacy, this editorial for Self Service magazine chronicles public manifestations of real love and euphoria when two hearts collide.

EXHIBITION ROAD FOR ROAD RAT MAGAZINE // by sophie green

‘Exhibition Road’ explores the rise of automotive influencers and the supercar spotters of London. Who spectate the roads across Mayfair, Kensington, and Knightsbridge to photograph and film supercars, primarily from the Middle East, that flood the city each summer. United by social media, these enthusiasts bond over their pursuit of spotting rare and valuable supercars collecting huge online followings fuelled by their supercar content.

Suddeutsche Zeitung // by sophie green

As AI advances, it prompts us to consider what defines humanity—particularly emotions that machines can't replicate. When Suddeutsche Zeitung magazine asked me to create an image based on an emotion, I chose ‘nostalgia’. In Britain, many associate freedom and relaxation with seaside towns like Blackpool, where vibrant energy contrasts with quieter shores. For many, these beach resorts are childhood staples, visited repeatedly over the years. Beaches evoke a deep sense of nostalgia, offering an escape where we reconnect with our inner child and experience a carefree sense of play and wonder.

VISIT ZURICH CAMPAIGN // by sophie green

Earlier this month, I had the privilege of being invited by Visit Zurich to explore and document Zurich’s vibrant and often overlooked creative scene. Coinciding with the annual Street Parade, I uncovered a side of the city that’s raw, energetic, and brimming with life - a stark contrast to its typically picturesque image. I shared my insights and experiences with Ignant, reflecting on how this journey reshaped my perception of Zurich. Read more here.