Commission for Department for Education via M&C Saatchi to document apprentices around the UK. The national campaign demonstrates a dynamic cast who are representing and playing out the most exciting and fulfilling apprenticeship roles available right now. The campaign seeks to fire up the imaginations of Britain’s school leavers to enroll in the Government’s new apprenticeship initiative.
I photographed the ceramic artist, Magdalene Odundo in her studio for Wallpaper* Magazine.
I went to Iceland to photograph Ása Helga Hjörleifsdóttir a director and writer from Reykjavik - together we explored her favourite places in Reykjavik for Airbnb magazine.
I made an adventure across Snowdonia for British Airways Highlife with Britain’s new generation of leading female adventurers Anna Mcnuff, Ness Kinght, Holly Budge and Kiko Matthews. Together we took on the relentless uphill trek to Snowdonia's highest peak, we camped in tents, bathed in the lake, drank water from the streams, watched sunset, ate warm sandwiches and admired the stunning views... Written piece by Kim Willis.
It’s Nice That feature my series ‘Cowboy Country’ a documentation of the subculture of western riders in the UK shot for Modern Weekly Magazine. Read more here; https://www.itsnicethat.com/articles/sophie-green-cowboy-country-photography-131118
'Women Shaping the Art World' Portrait Portfolio - I was commissioned by Sunday Times Style to photograph the most exciting, female talent shaking up the art world, from up-coming artists to young curators and critics, as well as established and powerful museum and gallery directors including Maria Balshaw - director of Tate, Victoria Siddall - director of Frieze, Julia Peyton Jones - senior global director at Thaddeus Ropac, Amira Gad - exhibitions curator at Serpentine, Iwona Bazwick - director of Whitechapel Gallery, Leila Hasham - associate curator at Barbican, Joanna Payne - founder of Marguerite, Katy Hessel - curator, White Pube Girls aka Zarina Muhammad and Gabrielle de la Puente - art critics/curators and artists Juno Calpyso, Maisie Cousins and Hannah Perry. See the full series on my website.
I was commissioned by Louis Vuitton to shoot their latest ‘Masterpieces Travel in Louis Vuitton’ campaign, where a bespoke trunk was created at the Maison’s historic workshops in Asnières, France to protect Vermeer’s “The Milkmaid” painting on its journey from the Rijksmuseum in Amsterdam to the Ueno Royal Museum in Tokyo.
Twin Magazine have published a series of images from my project ‘Wefts & Tracks’ - a celebration of afro-hair salons in Peckham, London in their latest issue. Out now. With write up by journalist, Lynda Cowell -
‘Peckham, south-east London. There are over 20 black hair salons in this part of town, each one as invisible as the next to the oblivious passer-by, but to the owners and clientele, these places are life. It’s where hairdos happen and weaves come true but more than that, they’re community comfort zones for women, young and old, from all parts of the diaspora. Behind the braids, relaxes, and dog-eared magazines, the black salon is a home from home.
The first black hairdressers in Britain is thought to be Carmen Maingot’s hair-straightening salon in South Kensington. It flourished when opened in 1955 but Winifred Atwell’s salon, opened in 1957, soon upstaged it. Atwell was Britain’s first black, female chart-topper and all-round piano genius. A Queen Mother favourite whose hands were insured for £40,00 she was never off the stage or British television. With a career demanding 24-hour glamour, the distinct lack of black hair salons forced her to open her own on Railton Road in Brixton. Aimed at the growing West Indian population, it was a much-needed slice of luxury. ‘In those days,’ said one former client, ‘there were no black salons for black women in this country, black women styled their hair in their kitchens.’
Fast-forward through the sleek 1950s, afroed 1970s and Jheri-curled perms of the 1980s to the present day and not much has changed. Even the fact that black women spend six times more on haircare, change styles more often and spend far more time in hair salons has had little impact on the wider industry. A history of reluctance to welcome black custom in white hair salons and the age-old fear of afros has played a big part in keeping the black hair salon alive.
If you’ve ever been to such a place, Sophie Green’s photography project, ‘Wefts & Tracks’ will feel so familiar, you can almost smell the braid sheen, catch the jokes and hear the TV in the background. To the uninitiated, like Sophie, it’s a glimpse into a different world.
Sophie says it was one of the most difficult projects she’s ever done. Gaining access to the salons was sometimes difficult and persuading people that she wanted to seriously document something usually overlooked was hard. ‘It was absolutely my intention to capture a positive reflection of the community to honour the people I encountered and represent them truthfully and respectfully,’ she says.
As someone who’d never even stepped foot into a black hair salon, what first struck Sophie was the absolute spirit of community. ‘In Peckham, the afro-hair salons stand out as hubs of life – the vibrant energy of Blenheim Grove is palpable,’ she says. ‘People infiltrate these salons as much for the social life as the services. I felt moved to capture the spirit of these salon environments.’
I photographed Lucinda Chambers, the longtime fashion director of British Vogue, where she held the position for 25 years, at home for The Guardian.
Myself alongside some other artists have donated images to feature on t-shirts in collaboration with Compos Mentis a non-profit t-shirt project raising money for MQ Mental Health, a research charity expanding our understanding of mental health issues and how they are treated. All tees are available to buy online and at the launch event on October 5th. All proceeds go to MQ Mental Health Charity. This project is kindly supported by Carhartt. Please feel free to support.
New story coming soon to Hot Hot Hot magazine.
Cowboy Country is a documentation of the subculture of western riders in the UK for Modern Weekly Magazine. A world away from the Great Plains of Texas and Wyoming is a whole community of British cowboys and cowgirls, cantering across the countryside in Devon, Kent and beyond. British western riders are – like their American counterparts – stetson and spur-sporting horse enthusiasts opting for a livelier alternative to conventional, demure English riding and are watched by raucous crowds at competition arenas around the country. Riders love to dress up and win marks for good presentation at competitions. There are staples in western fashion - fringed chaps, bright sequined shirts, high-waisted jeans, chunky jewel encrusted belts - but from season to season the desirable colours, patterns and styles morph. The sport is not only much more gender inclusive, drawing in lots of young women, but it also allows the horses to show off spectacular tricks and carries with it a deep-rooted sense of togetherness and community. Cowboy Country was created in collaboration with stylist Adam Winder and journalist Ellie Harrison. Out now.
Super excited to announce my portrait of 'Joshua' from my up and coming book titled 'Congregation', has been selected as part of this years Taylor Wessing Photographic Portrait Prize 2018 exhibition held at the National Portrait Gallery in London. The show opens October.
'Joshua' - A portrait of 9 year old Joshua, who sits in the chair after service ends. Joshua spontaneously styled the pink comb in his hair, perhaps asserting his individuality. The randomness of the positioned comb is an interesting contrast to the formality of his garments and provides an injection of colour into the predominantly white surroundings.
A documentation of a group of young interns who start their professional journey in London city for Wallpaper Magazine in collaboration with stylist Jerome Andre. Out now.
See more on my website.
I'm happy to announce my portrait 'Asma' has been selected for the final of Portrait of Britain 2018 and will be featured in the first ever Portrait of Britain book.
I photographed Tom Odell's album artwork, commissioned for Sony.